The following article quotes first the email of a
reader and then my reply.
My personal opinion of de Sade is rather negative.
1. Mainly, I think he is terrible as a writer. I read
versions in Russian and in English. Stylistics is
amateurish; the text lacks simplicity and often is
boring. My educational background is in foreign
languages and literature, so I have read a lot in the
past, I have what to compare him to.
2. I also have a problem with excessive violence. It
is absolutely not arousing to me. Violence (or S&M)
should only be acceptable when it is pleasurable for
both partners. I hardly consider torture pleasurable.
In life I have a very strong character and would not
allow anybody to dominate me, in sex I prefer to be
dominated (if I feel secure of course). I do like a
bit of S&M, but only a bit, because I don't like pain.
More about it later.
3. Philosophy of De Sade, I agree, should be noticed.
But it will never be considered anything serious as
long as the Church has any standing in the society.
His philosophy, at the time it was created, I believe
was not created as a philosophy at all, but with the
only purpose of agonizing the Church. Some of the
things he says have no philosophical value; they are
simple insults on anything important to the religion.
Please don't think I defend the Church. I have no
feelings about it at all, but what I have mentioned
diminishes the value of his philosophy (or at least I
think so).
4. And finally, description of his sex scenes is
hardly note-worthy. It is more elevated in style than
a porn magazine (no wonder, they were written
centuries ago), but again the style and the language
leave much to be desired.
So... personally, when I need something to arouse my
senses, a porno story does the job quicker than De
Sade; and for enjoyment of reading, his works don't
stand a chance to Mopassan, for example.
Well, that's it about De Sade. Any comments?
My reply:
It is true that many of De Sade’s work are amateurish
in style, just like Rousseau’s paintings.
However, I myself judge writing not so much by the
beauty of its sentences but by the originality, and
truthfulness, of its thought. I believe that it is not
the primary work of a writer to construct fine verbal
structures, but to observe and contemplate what he is
to write about. Form is no substitute for content.
I am definitely not a sadist. I thrive on seeing a
woman positively excited, not on seeing her afraid or
in pain. I believe that sadist tendencies are shallow.
I actually wonder whether they are really an
expression of sexuality, or just of aggression.
I am more certain of the sexual character of
masochistic tendencies. As you mentioned yourself,
desire thrives to a certain degree on the
non-availability of the desired person. To be refused
is to be degraded. This degradation has a sexual
component. Which is why jealous people can become so
sexualized.
I don’t know whether masochists really enjoy pain. I
somehow doubt it. I believe that they are after the
degradation, rather than the physical pain. It’s
highly theatrical.
We also have to be aware that while pleasure in
causing pain is what is named after the Marquis, his
main work could just as well be classified as
masochistic. After all, his best-known heroine,
Justine, is not out to hurt people. She is the one
being hurt.
I don’t think that De Sade’s philosophy is just
anti-Church. It’s a genuine own idea: that there is no
afterlife whatsoever, and that our only purpose in
life is sexual enjoyment. That simple.
And it is something I myself could underwrite.
It doesn’t need as many words as Marquis de Sade puts
up. What he attempts is to prove that his dogma
remains true in even the most extreme of all settings.
If, indeed, it were that an individual derives sexual
pleasure only in torturing or killing others, than,
from the standpoint of this individual, it is in tune
with his biological setting to kill and to torture.
All philosophical systems are built on axioms held as
self-evident by its disciples. That we as individuals
populate this planet only for an insignificant moment
in time, and that there is no external purpose for our
lives, and that our biologically or genetically set
purpose can only be the pursuit of sexual
satisfaction… all of this is such an axiom. It doesn’t
become more or less true by applying it to extreme
situations and by repeating over and over again that
yes, even in this or that situation, it is also true
(which is precisely what De Sade attempts to do).
De Sade’s work is pre-Darwin nihilism, and as such it
is philosophically significant.
And while it is true that he rides his point until it
becomes boring, it is also true that he remains the
earliest and most radical proponent of what, in its
basics, is a sensible philosophy.
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